I’m not generally a fan of romantic comedies. There is something about them than that makes
me twist uncomfortably inside, or, even worse, brings out my inner realist who
wonders how on earth a particular couple could even think that things would
work out given either a disparity in age, geography, or the various commitments
they have to others. Every Christmas
though, I have annual viewing of two romantic comedies that have continued to
tickle me: Love, Actually and Bridget Jones’ Diary.** I cannot remember how I got sucked into Love,
Actually but I know that I initially watched Bridget Jones because that book is
one of the few that has reduced me to a puddle of hysterical laughter and I
wanted to see if the same held true for the movie.***
One of the things that I like best about Bridget Jones is
that she’s not perfect. She’s
astonishingly human and makes some very poor decisions, but with a certain
amount of intelligence so that you don’t completely give up on her. I found myself thinking the same about the
heroine of this month’s Wodehouse, the aforementioned Sally. She goes through a series of events,
including one massive downturn in her romantic life where she learns that her
fiancé has married another woman. Her
reaction rang a bell in me: she responds by acknowledging that she should not
have any feeling about the event, but then allows herself to go a little
wobbly. Emotions are sneaky suckers and,
if you think that you’ve managed to cope with a situation without having them,
they have a rather nasty habit of hitting you when you least expect it. Sally meets up with this desperado fiancé
later on and, while she gives him a hand, she does not melt back into his
arms. Bridget has a similar scene also,
and both times I found myself liking these women even more.
I don’t know if I would go so far as to call Wodehouse a
feminist, but he certainly has a great deal of sympathy for women. In particular, he seems to have a lot of time
for American women, which is always a nice thing to hear. The emotional truths of Sally reminded me so
much of Bridget (and some of the women from Love, Actually, most notably Karen,
the one played by Emma Thompson) that I would pay to see them together, and it
is this element that has rocketed The
Adventures of Sally into my list of Favorite Wodehouses, which is unusual
for a one-off.
Some things that amused me:
-Sally’s description of a would-be suitor: “ ‘You remind me
of one of those portraits of men in the eighteenth century, with wooden faces,
who look out of heavy gold frames at you with fishy eyes as if you were a
regrettable incident’ ” (p. 71).
-Another description of the same character, who really seems
to have lit Plum’s creative fire: “He was the sort of man who always has a
pencil, and the back of old envelopes never entered his life” (p. 74). I sympathize, as the last list I made was on
the piece of cardboard that had formally hosted a pad of paper. I have also been observed making notes in
programs during concerts.
-On page 80, we meet a dog named Toto. Since The Wizard of Oz is a childhood
favorite, I was a little amazed because I always thought that it was unique to
that story. maybe it was and this is
merely a reference to it, but it is something that bears further investigation
in my copious free time.
-Such is Wodehouse’s natural sympathy towards women that,
when Sally’s brother utters this line: “ ‘My dear child, as I said before,
women cannot understand these things…’ (p. 147)” I knew that his business would
be a flop, which it was and continued to be until he married a sensible
woman.
*Read June 2016.
There have been a number of horrible events that have rocked the world
in the last week (writing on July 11, 2016).
While I want to note that these are indeed times that have tested the
populace’s soul, I am going to take a page out of Wodehouse’s book, so to
speak, and not dwell on them in this blog.
I have noted that while he wrote during two world wars, a global
economic depression, and a host of other depressing events, he rarely mentioned
them in the action of the books. This is
a blog about an entertaining author. For
those who require other topics to be discussed, I would direct you to the
multitudes of other places that provide more astute analysis than I could ever
hope to offer.
**Sometimes, The Holiday makes this list. There is something about Cameron Diaz in this
movie though that irritates me. Then I
get to wondering how she could ever hope to make her business work in the UK,
what short of permissions she would have to obtain, etc., and would she really
be happy leaving California for the English countryside (I mean, I would be ecstatic,
but I think that I’m beginning to gain the title of “noted kook” in my
advancing years). Perhaps I was a bureaucrat
in a former life.
***In case you’re wondering, I refuse to acknowledge that the
other Bridget Jones films exist. I have
the same mentality for the Sex and the City movies and, increasingly, the
seventh installment of the Star Wars saga.
No comments:
Post a Comment